Rugs / Shaggy Rugs / 1212/21 – Aythamy Armas

1212/21 – Aythamy Armas

Through monochrome layers and rhythmic strokes, the artist Aythamy Armas reimagines his signature artworks onto a hand-knotted canvas made from the highest quality of New Zealand wool.

The art piece titled 1212/21, creates a one-of-a-kind collection of graphic rugs of only 59 editions, each signed by the artist. Inspired by the artist’s painting techniques, reinterpreted for the art of rug making.

1212/21 by Aythamy Armas is handmade in a limited edition of only 59 rugs.

– Hand knotted shaggy design. 42 mm thickness.
– New Zealand wool, for softness and durability.
– Designed in Stockholm, handmade in Bhadohi, India.
– Goodweave™ Certified – Learn more

See it, and feel it, in your own home. The sample offers a glimpse of the full size rug, allowing you to feel the texture, admire the color, and envision the design in your space. Every sample is a unique piece cut in 20x20 cm from the rug and the pattern included will vary. Samples are not possible to return.

– Vacuum gently with a flat nozzle.
– Avoid beater bars or brushes.
– Shedding will reduce over time.
– Trim, don’t pull, loose threads.
– Blot stains immediately; don’t rub.
– Avoid harsh chemicals.
– Contact a professional for tough stains.

Shipping
Free Europe delivery. Standard delivery time is 3-6 business days. Orders are shipped via FedEx, UPS, or DHL and delivered to your door.

Delivery time is an approximation. Tracking info is emailed to you before delivery as soon as your order is shipped. For full details, please review our shipping and delivery terms.

Returns
If you're not completely satisfied, our 30-day return policy applies—excluding custom rugs and curtains.

Download tearsheet
A short interview video featuring artist Aythamy Armas in his Barcelona studio, drawing with charcoal on a blank canvas. His rug design, 1212/21 – Aythamy Armas, is shown in a calm, minimal setting, visually echoing the charcoal marks on canvas. Transcript from the interview: “The sounds when I'm painting is always there, it's present. At the end, the painting is like a guitar or a piano or something similar. In that sense, the moving of the body is guiding the project on the canvas. Five or six years ago, when I started to work in this kind of abstraction, I decided to use the fabric and charcoal as my essential tools. When we started to talk about the project, one of the most important issues was to think on how to translate the painting into the rug. I understand the painting as a landscape. It's built with different layers, like the atmospheric purpose tip. Using different techniques, you can give to the painting this feeling of depth. Step by step, I started to add different techniques. When you work in black, you can use many different materials and techniques, and it's always black.”
AYTHAMY ARMAS