CAPSULE COLLECTIONS

From Garance Vallée’s sculptural cut-outs to Aythamy Armas’ graphic monochromatic brush strokes - our rugs are artistically reinterpreted for the modern day.

New in
Tigris – Rust/Black
Designed by Jessie Andrews
From £1 495
New in
Diamond – Deep Red
Designed by Jessie Andrews
From £1 295
New in
Diamond – Dusty White
Designed by Jessie Andrews
From £1 295
1212/21 – Aythamy Armas
Designed by Aythamy Armas
From £2 195
Garance – Moss
Designed by Garance Vallée
From £895
Garance – Leo
Designed by Garance Vallée
From £895
Garance – Dusty White
Designed by Garance Vallée
From £895
New in
Tigris – Beige/Brown
Designed by Jessie Andrews
From £1 495

JESSIE ANDREWS

Mid-century modernist reimagined through a contemporary lens. A bold take on timeless animal prints, geometric shapes and deep hues. Designed for Tase Gallery and photographed at the iconic Stahl House, Los Angeles. Featuring Jessie Andrews.

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Modern house with floor to ceiling windows showing Los Angeles in the distance and the plush wool rug Tigris in Beige/Brown in the living room overlooking the pool.

GARANCE VALLÉE

Parisian artist Garance Vallée reimagines the rugs of our signature Grand collection with totemic cut-outs and transformed angles. Presenting a sculptural trio of rugs that can be used as independent pieces or be combined like a puzzle.

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Geometrically shaped Garance rugs in Dusty White, Moss and Leo displayed in mid-century home.

AYTHAMY ARMAS

Through monochrome layers and rhythmic strokes, the artist Aythamy Armas reimagines his signature artworks onto a hand-knotted canvas made from the highest quality of New Zealand wool.

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A short interview video featuring artist Aythamy Armas in his Barcelona studio, drawing with charcoal on a blank canvas. His rug design, 1212/21 – Aythamy Armas, is shown in a calm, minimal setting, visually echoing the charcoal marks on canvas. Transcript from the interview: “The sounds when I'm painting is always there, it's present. At the end, the painting is like a guitar or a piano or something similar. In that sense, the moving of the body is guiding the project on the canvas. Five or six years ago, when I started to work in this kind of abstraction, I decided to use the fabric and charcoal as my essential tools. When we started to talk about the project, one of the most important issues was to think on how to translate the painting into the rug. I understand the painting as a landscape. It's built with different layers, like the atmospheric purpose tip. Using different techniques, you can give to the painting this feeling of depth. Step by step, I started to add different techniques. When you work in black, you can use many different materials and techniques, and it's always black.”